PRESS

«Sandra Wollner's ability to work with time and space, with image and sound, is simply extraordinary. If she continues on this level, one day the Berlinale will be proud to say that they discovered a new star of world cinema.»
Bert Rebhandl, FRANKFURTER ALLGEMEINE

«Berlin Hidden Gem.»
Alex Ritman, THE HOLLYWOOD REPORTER

«[...] the director joins the pantheon of uncompromisingly intellectual Austrian formalists like Ulrich Seidl and Michael Haneke. But in terms of daring, Wollner may even outstrip her countrymen: her film's eerie, gally surface conceals deep cuts into ontology, memory, identity and our increasingly boundary-obliterating relationship to tech. [...]»
Jessica Kiang, VARIETY

«What have I just seen? is a question you won't be able to shake off any time soon.»
Ekkehard Knörer, DIE TAGESZEITUNG

«Unsettling as any sci-fi tale should be.»
Carlo Chatrian, BERLINALE

«Possibly the best film of the Berlinale.»
Rüdiger Suchsland, ARTECHOCK FILMMAGAZIN

«A small sensation: a brave, polarsing, blend of drama, horror, science-fiction and psychological thriller - that simply cannot be pinned down to one genre. With incredible elegance, the film shows us what we want to reject - in a way we haven't seen for a very long time.»
Annett Scheffel, SÜDDEUTSCHE ZEITUNG

«This film - the highlight of the Encounters Competition - shows a director, who (with only her second feature film) enters a much bolder territory than most German-speaking directors are able to.»
Hannah Pilarczyk, DER SPIEGEL

«Artifical intelligence has never felt as brutalising as it does in this second feature by Austrian filmmaker Sandra Wollner.»
Ela Bittencourt, SIGHT & SOUND

«A great director is born.»
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